Greaber - Dead Zones of the Imagination: An Essay on Structural Stupidity

Quotes taken from the essay in The Utopia of Rules of the same title:

At the time, I found this experience extremely disconcerting. Having spent much of my life leading a fairly bohemian student existence comparatively insulated from this sort of thing, I found myself asking my friends: is this what ordinary life, for most people, is really like? Running around feeling like an idiot all day? Being somehow put in a position where one actually does end up acting like an idiot? Most were inclined to suspect that this was indeed what life is mostly like.

I know this is largely rhetorical, but the answer is yes. There are so many things that we are put through at any given time that are meant to drain us, that are meant to make us feel inept, that are meant to be confusing and time-consuming and infuriating.

This is something I'm going through with regards to immigration, which makes no sense. I have to file taxes for 2021 (a year in which I made exactly no money) because I legally could not work and get an income, and the immigration office knows this because they didn't okay my residence permit until the beginning of 2022. Yet, for some reason, because I obtained a piece of paperwork okaying me to be a contractor in 2021? Which I needed to get my residence permit? I need to file taxes.

For a year I literally couldn't work. All of this to renew my card, which is only expiring because it's related to the expiration of my lease. Meanwhile, my residency permit doesn't actually expire for another two years. Like, yes. It is all meant to make us feel entirely absurd and ridiculous; it is designed to make us jump through hoops all the time so we're too fucking tired to do anything else.


To put it crudely: it is not so much that bureaucratic procedures are inherently stupid, or even that they tend to produce behavior that they themselves define as stupid—though they do do that—but rather, that they are invariably ways of managing social situations that are already stupid because they are founded on structural violence. This approach, I think, has the potential to tell us a great deal about both how bureaucracy has come to pervade every aspect of our lives, and why we don’t notice it.


Now, I admit that this emphasis on violence might seem odd. We are not used to thinking of nursing homes or banks or even HMOs as violent institutions—except perhaps in the most abstract and metaphorical sense. But the violence I’m referring to here is not abstract. I am not speaking of conceptual violence. I am speaking of violence in the literal sense: the kind that involves, say, one person hitting another over the head with a wooden stick. All of these are institutions involved in the allocation of resources within a system of property rights regulated and guaranteed by governments in a system that ultimately rests on the threat of force. “Force” in turn is just a euphemistic way to refer to violence: that is, the ability to call up people dressed in uniforms, willing to threaten to hit others over the head with wooden sticks.

Sometimes I would like to think that more people have gotten to the point of recognising bureaucracy as being violent, but then I inevitably run into someone who seems to think that it's necessary for... some reason ("we need to know who lives here").

But even so, it's not just physical violence (though it can be); it's psychological and economic violence. There is so much violence that builds up. Stress, anxiety, frustration, anger, sadness, loss. Bureaucracy severely damages us physically and mentally.

It's also expensive, unnecessarily so. It's intentionally prohibitive. It's racist. It's xenophobic. It's misogynist. It's ageist. It's ableist.


As an anthropologist, I know I am treading perilous ground here. When they do turn their attention to violence, anthropologists tend to emphasize exactly the opposite aspect: the ways that acts of violence are meaningful and communicative—even the ways that they can resembles poetry. Anyone suggesting otherwise is likely to be instantly accused of a kind of philistinism: “are you honestly suggesting that violence is not symbolically powerful, that bullets and bombs are not meant to communicate something?” So for the record: no, I’m not suggesting that. But I am suggesting that this might not be the most important question. First of all, because it assumes that “violence” refers primarily to acts of violence—actual shovings, punchings, stabbings, or explosions—rather than to the threat of violence, and the kinds of social relations the pervasive threat of violence makes possible. Second of all, because this seems to be one area where anthropologists, and academics more generally, are particularly prone to fall victim to the confusion of interpretive depth and social significance. That is, they automatically assume that what is most interesting about violence is also what’s most important.


Is it accurate to say that acts of violence are, generally speaking, also acts of communication? It certainly is. But this is true of pretty much any form of human action. It strikes me that what is really important about violence is that it is perhaps the only form of human action that holds out even the possibility of having social effects without being communicative. To be more precise: violence may well be the only way it is possible for one human being to do something which will have relatively predictable effects on the actions of a person about whom they understand nothing. In pretty much any other way in which you might try to influence another’s actions, you must at least have some idea about who you think they are, who they think you are, what they might want out of the situation, their aversions and proclivities, and so forth. Hit them over the head hard enough, and all of this becomes irrelevant.


It is only when one side has an overwhelming advantage in their capacity to cause physical harm that they no longer need to do so. But this has very profound effects, because it means that the most characteristic effect of violence, its ability to obviate the need for “interpretive labor,” becomes most salient when the violence itself is least visible—in fact, where acts of spectacular physical violence are least likely to occur. These are of course precisely what I have just defined as situations of structural violence, systematic inequalities ultimately backed up by the threat of force. For this reason, situations of structural violence invariably produce extreme lopsided structures of imaginative identification.


These effects are often most visible when the structures of inequality take the most deeply internalized forms. Gender is again a classic case in point. For example, in American situation comedies of the 1950s, there was a constant staple: jokes about the impossibility of understanding women. The jokes (told, of course, by men) always represented women’s logic as fundamentally alien and incomprehensible. “You have to love them,” the message always seemed to run, “but who can really understand how these creatures think?” One never had the impression the women in question had any trouble understanding men. The reason is obvious. Women had no choice but to understand men. In America, the fifties were the heyday of a certain ideal of the one-income patriarchal family, and among the more affluent, the ideal was often achieved. Women with no access to their own income or resources obviously had no choice but to spend a great deal of time and energy understanding what their menfolk thought was going on.


This kind of rhetoric about the mysteries of womankind appears to be a perennial feature of such patriarchal arrangements. It is usually paired with a sense that, though illogical and inexplicable, women still have access to mysterious, almost mystical wisdom (“women’s intuition”) unavailable to men. And of course something like this happens in any relation of extreme inequality: peasants, for example, are always represented as being both oafishly simple, but somehow, also, mystically wise.


The second element is the resultant pattern of sympathetic identification. Curiously, it was Adam Smith, in his Theory of Moral Sentiments, who first observed the phenomenon we now refer to as “compassion fatigue.” Human beings, he proposed, are normally inclined not only to imaginatively identify with their fellows, but as a result, to spontaneously feel one another’s joys and sorrows. The poor, however, are so consistently miserable that otherwise sympathetic observers are simply overwhelmed, and are forced, without realizing it, to blot out their existence entirely. The result is that while those on the bottom of a social ladder spend a great deal of time imagining the perspectives of, and genuinely caring about, those on the top, it almost never happens the other way around.

Whether one is dealing with masters and servants, men and women, employers and employees, rich and poor, structural inequality—what I’ve been calling structural violence—invariably creates highly lopsided structures of the imagination. Since I think Smith was right to observe that imagination tends to bring with it sympathy, the result is that victims of structural violence tend to care about its beneficiaries far more than those beneficiaries care about them. This might well be, after the violence itself, the single most powerful force preserving such relations.


Why are we so confused about what police really do? The obvious reason is that in the popular culture of the last fifty years or so, police have become almost obsessive objects of imaginative identification in popular culture. It has come to the point that it’s not at all unusual for a citizen in a contemporary industrialized democracy to spend several hours a day reading books, watching movies, or viewing TV shows that invite them to look at the world from a police point of view, and to vicariously participate in their exploits. And these imaginary police do, indeed, spend almost all of their time fighting violent crime, or dealing with its consequences.