Quotes from this book:
Introduction: A Point of Clarification
The newspapers conscientiously draw up the list of causes for the sudden disquiet. There is the financial crisis, of course, with its booming unemployment, its share of hopelessness and of social plans, its Kerviel and Madoff scandals. There is the failure of the educational system, its windling production of workers and citizens, even with the children of the middle class as its raw material. There is the existence of a youth to which no political representation corresponds, a youth good for nothing but destroying the free bicycles that society so conscientiously put at their disposal.
None of these worrisome subjects should appear insurmountable in an era whose predominant mode of government is precisely the management of crises. Unless we consider that what power is confronting is neither just another crisis, nor just a succession of chronic problems, of more or less anticipated disturbances, but a singular peril: that a form of conflict has emerged, and positions have been taken up, that are no longer manageable.
Yet classical politics is equipped with variants that know very well how to accommodate these practices and to extend their ideological rubbish to the very heart of the riot. If the Greek battle wasn’t decided, and put down, in the streets — the police being visibly outflanked there — it’s because its neutralization was played out elsewhere. There is nothing more draining, nothing more fatal, than this classical politics, with its dried up rituals, its thinking without thought, its little closed world.
Revolutionary movements do not spread by contamination but by resonance. Something that is constituted here resonates with the shock wave emitted by something constituted over there. A body that resonates does so according to its own mode. An insurrection is not like a plague or a forest fire — a linear process which spreads from place to place after an initial spark. It rather takes the shape of a music, whose focal points, though dispersed in time and space, succeed in imposing the rhythm of their own vibrations, always taking on more density. To the point that any return to normal is no longer desirable or even imaginable.
It is now publicly understood that crisis situations are so many opportunities for the restructuring of domination. This is why Sarkozy can announce, without seeming to lie too much, that the financial crisis is “the end of a world,” and that 2009 will see France enter a new era. This charade of an economic crisis is supposed to be a novelty: we are supposed to be in the dawn of a new epoch where we will all join together in fighting inequality and global warming. But for our generation — which was born in the crisis and has known nothing but economic, financial, social and ecological crisis — this is rather difficult to accept. They won’t fool us again, with another round of “Now we start all over again” and “It’s just a question of tightening our belts for a little while.” To tell the truth, the disastrous unemployment figures no longer arouse any feeling in us. Crisis is a means of governing. In a world that seems to hold together only through the infinite management of its own collapse.
I feel this in my bones.
Organizations are obstacles to organizing ourselves.
The Coming Insurrection:
The sphere of political representation has come to a close. From left to right, it’s the same nothingness striking the pose of an emperor or a savior, the same sales assistants adjusting their discourse according to the findings of the latest surveys. Those who still vote seem to have no other intention than to desecrate the ballot box by voting as a pure act of protest. We’re beginning to suspect that it’s only against voting itself that people continue to vote. Nothing we’re being shown is adequate to the situation, not by far. In its very silence, the populace seems infinitely more mature than all these puppets bickering amongst themselves about how to govern it.
That they were careful to assure us that the drone was unarmed gives us a clear indication of the road we’re headed down. The territory will be partitioned into ever more restricted zones. Highways built around the borders of “problem neighborhoods” already form invisible walls closing off those areas off from the middle-class subdivisions.
This book is signed in the name of an imaginary collective. Its editors are not its authors. They were content merely to introduce a little order into the common-places of our time, collecting some of the murmurings around barroom tables and behind closed bedroom doors. They’ve done nothing more than lay down a few necessary truths, whose universal repression fills psychiatric hospitals with patients, and eyes with pain. They’ve made themselves scribes of the situation. It’s the privileged feature of radical circumstances that a rigorous application of logic leads to revolution. It’s enough just to say what is before our eyes and not to shrink from the conclusions.
And... this is what fills my brain when I think of the values I want for groups I work in. At least partially, especially to de-center people who have often been centered and still try to retain that space, regardless of what they claim to believe.
First Circle: "I AM WHAT I AM":
“I AM WHAT I AM.” Never has domination found such an innocent-sounding slogan. The maintenance of the self in a permanent state of deterioration, in a chronic state of near-collapse, is the best-kept secret of the present order of things.
“WHAT AM I,” then? Since childhood, I’ve passed through a flow of milk, smells, stories, sounds, emotions, nursery rhymes, substances, gestures, ideas, impressions, gazes, songs, and foods. What am I? Tied in every way to places, sufferings, ancestors, friends, loves, events, languages, memories, to all kinds of things that obviously are not me. Everything that attaches me to the world, all the links that constitute me, all the forces that compose me don’t form an identity, a thing displayable on cue, but a singular, shared, living existence, from which emerges — at certain times and places — that being which says “I.” Our feeling of inconsistency is simply the consequence of this foolish belief in the permanence of the self and of the little care we give to what makes us what we are.
Freedom isn’t the act of shedding our attachments, but the practical capacity to work on them, to move around in their space, to form or dissolve them. The family only exists as a family, that is, as a hell, for those who’ve quit trying to alter its debilitating mechanisms, or don’t know how to. The freedom to uproot oneself has always been a phantasmic freedom. We can’t rid ourselves of what binds us without at the same time losing the very thing to which our forces would be applied.
But taken as facts, my failings can also lead to the dismantling of the hypothesis of the self. They then become acts of resistance in the current war. They become a rebellion and a force against everything that conspires to normalize us, to amputate us. The self is not some thing within us that is in a state of crisis; it is the form they mean to stamp upon us. They want to make our self something sharply defined, separate, assessable in terms of qualities, controllable, when in fact we are creatures among creatures, singularities among similars, living flesh weaving the flesh of the world.
This whole section has a few... issues. While I do recognise that there are disorders mental health issues that may not exist under capitalism, it's unfair to make claims (even in a provocative book) that they only exist under the state. We can't entirely know this, and it's absurd to state it in this fashion because it undermines the struggles that those of us with these disorders and mental health issues have.
Would I no longer have ADHD if all states ceased to exist? Would all of my depression or anxiety evaporate as soon as the state fell? No, as my brain would still be the same as it ever was. But what should be noted is that it would present differently; it would be recognised and understood differently. Perhaps my depression would lessen, perhaps fewer things would make me anxious, and maybe my ADHD would cause fewer problems because of the removal of the state's stigma of disorders and mental health issues.
But what's being said in these assumptions that so many people (including anarchists) fail to recognise is that the dismantling of the state does not guarantee the dismantling of the stigma or the social conditions and structures that impact us. All of these need to be dismantled together, and the more we continue to state otherwise? Wrongly placing blame on the use of medications (without making a distinction between willingness to take them and the coercion or mandatory requirements many people have) does nothing to help those of us with those conditions who are impacted by them under the state and would continue to be impacted by them as a result of people failing to adequately create liberatory spaces.
Second Circle: "Entertainment is a vital need":
To take the most banal: there is no “immigration question.” Who still grows up where they were born? Who lives where they grew up? Who works where they live? Who lives where their ancestors did? And to whom do the children of this era belong, to television or their parents? The truth is that we have been completely torn from any belonging, we are no longer from anywhere, and the result, in addition to a new disposition to tourism, is an undeniable suffering. Our history is one of colonizations, of migrations, of wars, of exiles, of the destruction of all roots. It’s the story of everything that has made us foreigners in this world, guests in our own family.
France is a product of its schools, and not the inverse. We live in an excessively scholastic country, where one remembers passing an exam as a sort of life passage. Where retired people still tell you about their failure, forty years earlier, in such and such an exam, and how it screwed up their whole career, their whole life. For a century and a half, the national school system has been producing a type of state subjectivity that stands out amongst all others. People who accept competition on the condition that the playing field is level. Who expect in life that each person be rewarded as in a contest, according to their merit. Who always ask permission before taking. Who silently respect culture, the rules, and those with the best grades. Even their attachment to their great, critical intellectuals and their rejection of capitalism are branded by this love of school. It’s this construction of subjectivities by the state that is breaking down, every day a little more, with the decline of the scholarly institutions. The reappearance, over the past twenty years, of a school and a culture of the street, in competition with the school of the republic and its cardboard culture, is the most profound trauma that French universalism is presently undergoing. On this point, the extreme right is already reconciled with the most virulent left. However, the name Jules Ferry — Minister of Thiers during the crushing of the Commune and theoretician of colonization — should itself be enough to render this institution suspect.
It would be a waste of time to detail all that which is agonizing in existing social relations. They say the family is coming back, that the couple is coming back. But the family that’s coming back is not the same one that went away. Its return is nothing but a deepening of the reigning separation that it serves to mask, becoming what it is through this masquerade. Everyone can testify to the rations of sadness condensed from year to year in family gatherings, the forced smiles, the awkwardness of seeing everyone pretending in vain, the feeling that a corpse is lying there on the table, and everyone acting as though it were nothing. From flirtation to divorce, from cohabitation to stepfamilies, everyone feels the inanity of the sad family nucleus, but most seem to believe that it would be sadder still to renounce it. The family is no longer so much the suffocation of maternal control or the patriarchy of beatings as it is this infantile abandon to a fuzzy dependency, where everything is familiar, this carefree moment in the face of a world that nobody can deny is breaking down, a world where “becoming self-sufficient” is a euphemism for “having found a boss.” They want to use the “familiarity” of the biological family as an excuse to eat away at anything that burns passionately within us and, under the pretext that they raised us, make us renounce the possibility of growing up, as well as everything that is serious in childhood. It is necessary to preserve oneself from such corrosion.
Third Circle: "Life, health and love are precarious — why should work be an exception?":
We belong to a generation that lives very well in this fiction. That has never counted on either a pension or the right to work, let alone rights at work. That isn’t even “precarious,” as the most advanced factions of the militant left like to theorize, because to be precarious is still to define oneself in relation to the sphere of work, that is, to its decomposition. We accept the necessity of finding money, by whatever means, because it is currently impossible to do without it, but we reject the necessity of working. Besides, we don’t work anymore: we do our time. Business is not a place where we exist, it’s a place we pass through. We aren’t cynical, we are just reluctant to be deceived. All these discourses on motivation, quality and personal investment pass us by, to the great dismay of human resources managers. They say we are disappointed by business, that it failed to honor our parents’ loyalty, that it let them go too quickly. They are lying. To be disappointed, one must have hoped for something. And we have never hoped for anything from business: we see it for what it is and for what it has always been, a fool’s game of varying degrees of comfort. On behalf of our parents, our only regret is that they fell into the trap, at least the ones who believed.
Here lies the present paradox: work has totally triumphed over all other ways of existing, at the very moment when workers have become superfluous. Gains in productivity, outsourcing, mechanization, automated and digital production have so progressed that they have almost reduced to zero the quantity of living labor necessary in the manufacture of any product. We are living the paradox of a society of workers without work, where entertainment, consumption and leisure only underscore the lack from which they are supposed to distract us. The mine in Carmaux, famous for a century of violent strikes, has now been reconverted into Cape Discovery. It’s an entertainment “multiplex” for skateboarding and biking, distinguished by a “Mining Museum” in which methane blasts are simulated for vacationers.
Bullshit Jobs vibes, anyone?
Today work is tied less to the economic necessity of producing goods than to the political necessity of producing producers and consumers, and of preserving by any means necessary the order of work. Producing oneself is becoming the dominant occupation of a society where production no longer has an object: like a carpenter who’s been evicted from his shop and in desperation sets about hammering and sawing himself.
The present production apparatus is therefore, on the one hand, a gigantic machine for psychic and physical mobilization, for sucking the energy of humans that have become superfluous, and, on the other hand, it is a sorting machine that allocates survival to conformed subjectivities and rejects all “problem individuals,” all those who embody another use of life and, in this way, resist it. On the one hand, ghosts are brought to life, and on the other, the living are left to die. This is the properly political function of the contemporary production apparatus.
Fourth Circle: "More simple, more fun, more mobile, more secure!":
From up close or from afar, what surrounds us looks nothing like that:
it is one single urban cloth, without form or order, a bleak zone, endless and undefined, a global continuum of museum-like city centers and natural parks, of enormous suburban housing developments and massive agricultural projects, industrial zones and subdivisions, country inns and trendy bars: the metropolis. Certainly the ancient city existed, as did the cities of medieval and modern times. But there is no such thing as a metropolitan city. All territory is synthesized within the metropolis. Everything occupies the same space, if not geographically then through the intermeshing of its networks.
It’s because the city has finally disappeared that it has now become fetishized, as history. The factory buildings of Lille become concert halls. The rebuilt concrete core of Le Havre is now a UNESCO World Heritage sire. In Beijing, the hutongs surrounding the Forbidden City were demolished, replaced by fake versions, placed a little farther out, on display for sightseers. In Troyes they paste half-timber facades onto cinderblock buildings, a type of pastiche that resembles the Victorian shops at Disneyland Paris more than anything else. The old historic centers, once hotbeds of revolutionary sedition, are now wisely integrated into the organizational diagram of the metropolis. They’ve been given over to tourism and conspicuous consumption. They are the fairy-tale commodity islands, propped up by their expos and decorations, and by force if necessary. The oppressive sentimentality of every “Christmas Village” is offset by ever more security guards and city patrols. Control has a wonderful way of integrating itself into the commodity landscape, showing its authoritarian face to anyone who wants to see it. It’s an age of fusions, of muzak, telescoping police batons and cotton candy. Equal parts police surveillance and enchantment!
This taste for the “authentic,” and for the control that goes with it, is carried by the petty bourgeoisie through their colonizing drives into working class neighborhoods. Pushed out of the city centers, they find on the frontiers the kind of “neighborhood feeling” they missed in the prefab houses of suburbia. In chasing out the poor people, the cars, and the immigrants, in making it tidy, in getting rid of all the germs, the petty bourgeoisie pulverizes the very thing it came looking for. A police officer and a garbage man shake hands in a picture on a town billboard, and the slogan reads: “Montauban — Clean City.”
The uprooted and stressed-out masses are instead shown a countryside, a vision of the past that’s easy to stage now that the country folk have been so depleted. It is a marketing campaign deployed on a “territory” in which everything must be valorized or reconstituted as national heritage. Everywhere it’s the same chilling void, reaching into even the most remote and rustic corners.
The metropolis is this simultaneous death of city and country. It is the crossroads where all the petty bourgeois come together, in the middle of this middle class that stretches out indefinitely, as much a result of rural flight as of urban sprawl. To cover the planet with glass would fit perfectly the cynicism of contemporary architecture. A school, a hospital, or a media center are all variations on the same theme: transparency, neutrality, uniformity. These massive, fluid buildings are conceived without any need to know what they will house. They could be here as much as anywhere else.
No longer undertaken in view of victory or peace, or even the re-establishment of order, such “interventions” continue a security operation that is always already at work. War is no longer a distinct event in time, but instead diffracts into a series of micro-operations, by both military and police, to ensure security.
The armed forces don’t simply adapt themselves to the metropolis, they produce it. Thus, since the battle of Nablus, Israeli soldiers have become interior designers.
The metropolis is not just this urban pile-up, this final collision between city and country. It is also a flow of beings and things, a current that runs through fiber-optic networks, through high-speed train lines, satellites, and video surveillance cameras, making sure that this world never stops running straight to its ruin. It is a current that would like to drag everything along in its hopeless mobility, to mobilize each and every one of us. Where information pummels us like some kind of hostile force. Where the only thing left to do is run. Where it becomes hard to wait, even for the umpteenth subway train.
With the proliferation of means of movement and communication, and with the lure of always being elsewhere, we are continuously torn from the here and now. Hop on an intercity or commuter train, pick up a telephone — in order to be already gone. Such mobility only ever means uprootedness, isolation, exile. It would be insufferable if it weren’t always the mobility of a private space, of a portable interior. The private bubble doesn’t burst, it floats around. The process of cocooning is not going away, it is merely being put into motion. From a train station, to an office park, to a commercial bank, from one hotel to another, there is everywhere a foreignness, a feeling so banal and so habitual it becomes the last form of familiarity. Metropolitan excess is this capricious mixing of definite moods, indefinitely recombined. The city centers of the metropolis are not clones of themselves, but offer instead their own auras; we glide from one to the next, selecting this one and rejecting that one, to the tune of a kind of existential shopping trip among different styles of bars, people, designs, or playlists. “With my mp3 player, I’m the master of my world.” To cope with the uniformity that surrounds us, our only option is to constantly renovate our own interior world, like a child who constructs the same little house over and over again, or like Robinson Crusoe reproducing his shopkeeper’s universe on a desert island — yet our desert island is civilization itself, and there are billions of us continually washing up on it.
